Endgame Viable

Being super drained after moving, I wanted something that I could sit and stare at for hours on end without thinking, so I started binge-watching this TV show that Netflix put into their Top 10 Shows We Know You Will Like. It’s called Revolution. After five minutes, I thought, “Oh God, seriously? Another post-apocalyptic, civilization-has-collapsed show? Like Jericho? Falling Skies? Under the Dome (kind of)? Um… all those other shows I can’t think of at this moment? And J.J. Abrams is involved? Hasn’t he done enough damage with Lost and Fringe?” I was thoroughly prepared to turn it off after five minutes and move on to something else, because I knew without a doubt it was going to suck, and it would be filled with stupid science and clichés put in by clueless TV executives. (368 words.)

I started Assassin’s Creed III unsure of what to expect. I had a general feeling that AC3 had not been well-received, but other than that I knew little about it, except that it was a departure from the previous versions. First thing’s first: The game’s new engine looks beautiful. I mean, drop-dead gorgeous. I’ve always thought Assassin’s Creed was one of the most realistic-looking games out there, even back to the first version, but this new version raises the bar higher than ever. (642 words.)

This book really grew on me. I almost stopped reading it at about 20%, but pressed onward, and I’m glad I did, because I feel like I learned something important about writing from this book. When I got to about 35% I was hooked, and when I got to about 40% I was riveted. I won’t spoil it but if you’ve read the book you probably know the events that caused the riveting. The book has a lot of religious themes after the 40% mark which are really interesting. (529 words.)

Finished the main story in Assassin’s Creed Revelations the other day. Other than the horribly inaccurate face models of Ezio and Desmond which made them look like scarred zombies, I thought it was pretty good, as all Assassin’s Creed games are. The endings always give me a chill, when they bring together the past, present, and future. Well — the past, the past, the past, and the present would be more accurate I guess. And this one was really poignant because I guess after four games, the stories of Altair and Ezio are now finally complete. (153 words.)

I was getting a bit tired of Assassin’s Creed Revelations, so I took a short break and finally played Tomb Raider, which I had gotten in a Steam sale. There’s no doubt it’s one of the best games of 2013. For the record, I’ve never been a fan of the Tomb Raider games. Originally, they were largely nothing more than jumping puzzles, but honestly I haven’t played any of the hundreds of TR games since the original few, so I’m not sure what they’ve evolved into. All I know is that 2013 Tomb Raider bears no resemblance to the Tomb Raiders I remember. (660 words.)

Finished Brotherhood. Cool game - shorter than Assassin’s Creed II but I think more polished. (By the way, when I say I “finished” I mean I finished the story; I’m nowhere near 100% completion, because I’m not a completionist gamer. I think it was somewhere around 40% actually.) Another cliffhanger ending. Can’t really say anything without spoiling it, but I was a little bit suspicious of that person anyway. Started Revelations. First thing I noticed is that Desmond’s and Ezio’s faces look completely different! Not just aged, but totally different people. It’s really jarring, especially since the voices are the same. It’s like different actors playing the same part, but they got voiceovers from the original actors. (167 words.)

Just for posterity, here is a page of scribbling I did trying to block out what I thought would be the final 10,000 words or so of Airworld. What ended up happening is that I raised more questions than I answered, and all the answers started branching off into all these other fairly massive sub-plots. You may also notice there is a whole new, vitally important character in there that was introduced very late in the story. (Just in case I ever do finish the story, I blurred out some spoilers.) (106 words.)

For the last few days I’ve been researching the beginning of the Jamestown colony, because I’ve been tossing around the idea of basing a story around similar events. (I know, everyone else has done it — Disney, James Cameron — so why not me? It’s a freakin’ timeless story after all, even if you totally leave out the whole John Smith/Pocahontas angle.) Actually “researching” is probably not the right word. “Voraciously obsessed with reading about” is probably more accurate. I can understand why it’s been a popular story for all these years. It’s the perfect storm of human drama, all rolled into a 5-10 year period. (372 words.)

What does “he had his liberty” mean? Say, in the early 17th century? I came across it reading Edward Wingfield’s account of his removal from the first Council in Jamestown in 1607, in the book The Jamestown Adventure. (Edward Wingfield could be considered the first elected governor of Virginia. Or the first elected president of North America. Or something along those lines.) (266 words.)

I started reading The Curse of Chalion by Lois McMaster Bujold … and this time, I actually *mean* reading, not listening to the audiobook. (There are people who insist that listening to an audiobook is the same as reading, but IMO they are very different media consumption experiences.) I picked it up because I saw that it was the next book in The Sword and Laser book club, so on impulse I got it. Not because I wanted to participate in The Sword and Laser, but because I’d wanted to read a Bujold book anyway because her name appears somewhat frequently on the Hugo award winner list. (276 words.)