Endgame Viable

I read another chapter of Brandon Sanderson’s The Way of Kings the other day. All right, I get that it’s an epic fantasy with an epic world filled with epic people, lands, animals, and plants. But in the first non-prologue chapter, the reader is slammed with an epic number of unfamiliar phrases and terms. I usually enjoy these kinds of things, but in this case I found myself asking “who or what or where is that?” quite a lot. So much that I started highlighting them: (279 words.)

I thought I would next tackle The Fires of Heaven, the fifth book in the Wheel of Time series. But I don’t seem to have the same enthusiasm I did with the first four books. After reading the prologue and one chapter of Fires, I’m getting a bad feeling. The Prologue was a mind-numbingly gigantic info-dump that went on forever. Chapter One follows Min with Siuan, Leane, and Logain. It wasn’t terrible but Min is the only one I care about in that bunch. Then Chapter Two gets us back to Rand, who, I’m sorry to admit, is one of my least favorite character in the books. (Possibly eclipsed only by Mat.) Reading Rand and Mat chapters always feels like a chore. (186 words.)

At the end of this weekend, I should be around 50,000 words into The Sovereign of Tel. I hope to be finished with a decent first draft by the end of April. I am not completely happy with it right now, but I’m soldiering on anyway in the hope that I can patch it up in a rewrite. My coolest achievement for the month is this nifty spreadsheet to keep track of my word totals. It does nifty gradients and everything. I set a 7,500 word goal for Monday through Friday, and originally I set a 5,000 word goal for the weekend, thinking I would obviously have more time to write. Well, perhaps counter-intuitively, it turns out, after a week of a day job and writing, I don’t seem to have the energy to write a lot on the weekend. So now I’ve shifted it back down to the regular 3,000 words. (I can’t remember where I read it, so I can’t give credit, but somewhere I read that setting a weekly word count goal might work better than a daily word count goal. So far it’s working for me.) (515 words.)

Can I have a word with you people who take published books and turn them into Kindle books? Let’s talk about the Kindle version of The Stone of Tears by Terry Goodkind. Seriously, what kind of crack were you people smoking when you gave this project over to a high school intern? The number of typos is astronomical. The intern apparently speed-typed the text without ever looking back at what he’d typed. Possibly on a smart phone with auto correct enabled. Or, more likely, somebody OCRed it but never bothered to look at the results. (267 words.)

For my current WIP, I spent what I considered to be a fairly lengthy amount of time writing a cohesive outline of the events that would take place in the novel. I actually did it three times because I had to toss out the first two. So imagine my surprise when I reached somewhere around the 2/3rd mark of the story, consulted the outline for what comes next, and realized, “This outline is incomplete, and all wrong.” (187 words.)

I’ve signed up for a couple of online writing critique groups. I’m not ready to submit anything yet, but I thought it would be a good thing to try. It’s a lot more work than I thought it would be! If you think reading 5,000 words from someone else and writing a constructive criticism is easy, think again. The hardest part is being positive while still being helpful. I’m well aware of how fragile a writer’s ego is, so it feels like walking on egg shells. You want to say, “Wow, this is the greatest thing I’ve ever read!” But, well, it’s usually not. There’s always something that can be improved (I know this from my own writing). But you can’t exactly say, “Wow, this is terrible. Don’t quit your day job.” Because that’s probably what they’re telling themselves. (193 words.)

I half-heartedly read the first five chapters of The Fifth Sorceress by Robert Newcomb (2002), knowing it had received generally unfavorable reviews from fans of the epic fantasy genre. (It has an Amazon rating of like 2.25 stars, which is pretty bad for a book from a major publisher.) Five chapters might not sound like much, but the chapters in this book are miles long. Five chapters works out to 149 pages or 25% of the book. (562 words.)

In my continuing look at other modern fantasy books and authors, I landed on Kushiel’s Dart by Jacqueline Carey (2002). It consistently ranks high in top ten “best fantasy” lists. From this book I’ve learned: The “inciting incident” should be early in the book. The characters need to struggle early in the book. A beautiful setting isn’t enough to make a good book without the above. (Also, just now I learned that my WP Theme doesn’t do bullets for crap.) Allow me to explain. Carey’s prose is beautiful. The world of Terre D’Ange, an alternate history version of Renaissance France, is complex, lavish, and exotic. It reminds me a lot of Dune in its … I don’t know … what’s the word? Grandiosity? Splendor? Otherworldliness? (741 words.)

Well, I don’t know how Goodkind did it (which makes it a good topic for study, I guess), but somehow Wizard’s First Rule crawled up under my skin and embedded itself there. It kept getting better and better and in the end, I am shocked to say that I had a hard time putting it down and enjoyed it. Why? I think because it had a lot of “heart.” The characters won me over. First Kahlan, then I even started rooting for Richard in the end. Though I must admit I thought the final solution was a bit cheesy (spoiler alert: love conquers all). I guess the whole book was cheesy too. It’s basically Romeo and Juliet where the tragic ending is narrowly averted. It’s a fairy tale, with a (spoiler alert) fairy tale ending. (776 words.)

In catching up on the fantasy genre, I wanted to read popular books that were considered good, and popular books that were considered bad. So now I’m reading Wizard’s First Rule by Terry Goodkind, the first in the Sword of Truth series, which for some reason is often seen as the “rival” to Robert Jordan’s Wheel of Time series. Goodkind is a very devisive writer. People seem to either love him or hate him, which I suppose, is exactly the reception that Robert Jordan gets. Usually people like one or the other, but rarely both. (861 words.)